Torquay

I will never forget last week. When I wrote the previous post, I was waiting to hear back from the garage about my car’s MOT test. Seconds after clicking publish the phone rang. My car’s engine had died. I could either replace it for £1200 or put the money towards a new car. I can’t believe I was freaking out about money before this phone call! I burst into tears on the phone (I really love my car) and said I’d have to think about it.

But I had to think fast, I was due to drive the 250 miles to Torquay in 3 days. I knew I didn’t want to rush into buying a new car so I got consent from the event organisers to hire a car. The problem was, I’m under 25, car hire companies don’t generally give estate cars to youngsters like me. However, with a little eyelash fluttering I was soon driving this beauty:

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Yep, a brand new diesel Vauxhall Astra Estate. Getting the harp in was a bit of a squeeze – new cars always seem narrower on the inside – but I managed it and (a tad gingerly) set off for the South Coast. The car was lovely to drive, 6 gears, a working radio and a really quiet engine all helped to make the journey fly by. Five hours later I had arrived at my destination.

The Riviera Convention Centre, Torquay, was hosting the 2012 Festival Dinner for the Royal Masonic Trust for Girls and Boys (RMTGB). The reason I had agreed to travel sooo far to do this gig is that the RMTGB, or to be specific, the branch of RMTGB known as TalentAid gave me a grant to cover the cost of my harp. It is because of them that I’m even in this business. So, I thought the least I could do would be to drive down and play during their annual dinner, plus, the exposure surely wouldn’t do any harm either.

I dropped the harp off at the centre and drove the short distance to the hotel. The RMTGB had very kindly put me up in a room at the Grand Hotel overnight. The car park was more like a big garage, with rows of expensive cars so close together it was difficult to navigate my huge car in amongst them – especially as it was an unfamiliar hire car that, if scratched, I would be charged heavily for.

Playing for the dinner went very smoothly, there were 600 people there and I only had twenty CDs to sell, I thought I’d get rid of them all in minutes. Nope. 595 people walked past me and my little CD stall on their way out, five stopped to buy a CD. Wow.

Anyway…

Am I the only one who gets really excited at having a hotel room to myself?

This was the hotel:

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This was the room:

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And this was the view!

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In the morning, the sun was beating in through the window. It honestly felt like Summer. Leaving Torquay was so hard, it was so beautiful. The air was clear, the sea was blue, no clouds in the sky. A complete contrast to Manchester – the weather here is usually pretty grim.

I’ll just put in one more photo that I took just before leaving – I think next time I go to Torquay I’ll have to take a suitcase and stay there a good deal longerImage:

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Fresh Starts and Money Dilemmas

Last Sunday was my birthday.  I guess I am now in the category of ‘mid-twenties’ – or simply ‘old enough to know better’.

Today’s task is to get my car through its MOT.  Today’s mission is to pay for it.  I am so happy with what I do as a career but I am also sick of worrying about money!  Gig-wise, it’s either feast or famine.  I’m either driving myself crazy trying to fit everything in or freaking out as I see the empty pages of my diary looming – right before rent goes out.

It all seems to be averaging out though, I guess the feasts get me through the other times.  But I feel like my bank balance is just ambling along – a certain amount into my overdraft.  I have to ask myself, will I ever make a profit?  Will I ever get out of debt?  Should I have gone to Dubai when I had the chance?  Will I ever have a savings account with more than 75p?  Yes that’s the actual amount I have saved for you know, emergencies such as car repairs and MOTs.

So what do I do?  Keep plodding along with the belief that somehow it’ll all turn out fine?  Or do I get a real job with a real salary and the possibility of disposable income?

There are pros and cons to each possibility of course.  I have so much freedom now to organise myself and my schedule that it wouldn’t be the same without that flexibility.  I am meeting new people all the time and every week is different.  Plus, if work isn’t coming all that easily or frequently, there is always more I can do to put myself out there.  

Freelancing is the kind of job where, at the end of the day you can never say ‘I’m finished!’  … more often than not what I’m thinking at the end of the day is ‘Have I done enough?  What more should I have done?  What do I need to do tomorrow?’  There isn’t the work/home distinction that comes with a more corporate job.

But, all in all, when I’m actually doing the gigs – orchestras and shows in particular, that’s when I think yes, this is my place, this is what I’m meant to do.  I guess it’s just the in between times when worries set in – and the only way to diminish them is to do more in terms of self-publicity and pushing for those all important gigs.

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Musings

I am writing this post from my living room.  This is unusual because I usually write from my bedroom/office/harp room.

Yes, I have been banished from my usual hide-away by two men who are re-tiling my shower.  I see it all as karma really.  The other day I was cleaning my bathroom and lamenting on the state of the tiles, then, the following day, three tiles came tumbling down while I was washing my hair… I was lucky not to break several toes!  The upshot of this is that it all has to be redone, and I am in exile for the day.  But, on the upside, I will have lovely new tiles to replace the frankly grotty old ones.

So, the Central Manchester gig I referred to in the previous post was in fact the Idina Menzel concert that took place in Manchester’s Palace Theatre.  It was so exciting to be in that gorgeous building playing for her.  Idina seemed really lovely and the concert had an amazing atmosphere.  The stage-crew were very reluctant to help get my harp out of the building – they thought it would be appropriate/possible for me to go out the front way and barge my way through about five hundred screaming fans in the rain… errr no thank you!  

Being in this line of work is definitely teaching me to stand up for what I need and to make a fuss if I don’t get it.  It makes a huge difference to stress levels on the day if staff are actually helpful in showing you where you need to be. I heard once that harpists have a reputation for being divas who insist on having things done their way.  The more experience I get, the more I sympathise.  I doesn’t matter how much you plan on the day of the gig with regards to parking, accessible entrances etc but something will usually happen that you hadn’t thought of before.

For example, a couple of days ago I had an engagement to play background music for an Army Cadet dinner.  However, the contract was written in the dim and distant past and since then, the venue had changed and nobody thought to tell little old me.  They were very sweet about it though and even made me some food!  So I munched quietly on cheddar cheese sandwiches while the cadets tucked into roast beef and Yorkshire puddings followed by what looked and smelled like chocolate fudge cake.  Torture.

But that’s the great thing about this line of work.  Every day is different.  Every gig is different.  It’s a rare gig where everything runs to perfection but that’s all part of the experience.  And, if I’m lucky, I’ll get an interesting anecdote out of it – as well as enough money to put food on the table… cheese sandwich, anyone?.

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Autumn 2012

After a worrying few weeks with no gigs to speak of, I now suddenly find myself with at least one engagement each week until December’s trip to Lanzarote (very exciting!!!).

Last Sunday I was in Leeds with the Leeds Philharmonic chorus, under the direction of Darius Battiwalla.  The only piece I was in was Hierusalem by George Dyson.  I’d never heard of it until I was asked to play it.  The parts are all very challenging considering it’s less than twenty minutes long.  Maybe that’s why it’s so seldom performed.  A couple of chaps in the first violins were kind enough to carry my harp on and off the stage for me so a big thank you to them.

Tomorrow will be a very interesting day.  I am playing in Central Manchester.  Now, I’m not worried that the entire concert will be sight-reading, nor that there is relatively little rehearsal time.  But it’s Manchester City Centre.  I know this area very well and parking to unload is going to be… tricky.  If I come away with no parking ticket I’ll be satisfied.  How I wish sometimes that I could just walk to a venue – or take public transport, it’s often a lot easier than finding somewhere to park my enormous (but loveable) car.

So yes, lots coming up.  I’ll be having my first lesson in a while to help prepare for an upcoming audition (watch this space).  The next few weeks take me to Sheffield, Rochdale, Escrick, Bolton, Doncaster, Torquay and back to Manchester.  Phew!

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Decisions

This has been a week of choices.  Isn’t it weird how they all seem to come at once?

After a mad couple of shifts in the bar at the RNCM for freshers week, I decided that, if I really don’t enjoy working there that much, I should just quit.  I need to be earning money doing things that take me in the direction of my dream.  It isn’t my dream to work in a bar forever, so I decided it was time to take the plunge and lose the safety net of having that bit of extra cash each month – in favour of pushing myself to do more for my music career.

So that’s it!  I never have to pull a pint again.  I’ve worked in one bar or another for my whole student life, and now I feel like the time has come to move on.

And doesn’t the universe work in mysterious ways, on the morning following my final shift, I got a phone call from the Chethams School of Music asking if I’d be interested in doing some harp teaching there.

Of course I was!  I taught my first lesson there last Friday and loved it, hopefully it will lead to working there regularly.

The day after the phone call day, I got an email from a hotel asking if I’d like to stay with them and provide background music for a few months… in DUBAI!  Sounds too good to be true and the money is exceedingly tempting (enough to invest in a lever harp and take lots of the financial pressure away).  But it would mean being away over Christmas and New Year, and I’d miss a certain trip to Lanzarote in December as well as various gigs and family commitments.  So basically, I’ve said I’m very interested but maybe another time.

I had to think about it so carefully, but I need to be here, in Manchester right now.  I need to be gigging and building up my contacts and getting better gigs.  My dream is to be an orchestral musician, and while the money from providing background music is fabulous, I’m not sure I would want to do it all the time.  What I love about my career so far is the variety.  Every day is different and brings its own challenges.  Not going to Dubai was a really tough decision but hopefully I will look back and be glad I stayed.

Maybe I could have gone to Dubai and could have stayed working at Brodsky.  Had I done so my bank balance would definitely thank me.  But at the end of the day, maybe I’m choosing the less profitable choice right now, but maybe it will pay dividends in the future?  I have noticed that each day since turning down Dubai I’ve been contacted about doing a gig in the next few months.  It’s going to be ok.

Maybe there is no right or wrong decision.  But I’ve made mine and now my job is to make the best of my situation and keep moving towards where I want to be in the future.

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CLOUDS mini-tour

Last week was spent up in Scotland with my harp quartet CLOUDS.  

The purpose of the week was to learn the material for our forth-coming album ‘water’, and to pay our way we would do four lunchtime concerts at St. Giles Cathedral up in Edinburgh Monday through to Thursday.

Learning music with CLOUDS is very different to how I was trained and it has been so good for all of us.  Esther composes the music, then, without writing it down, teaches it to us aurally in group rehearsals.

Our first CD was entitled CLOUDS and we recorded it I think two years ago now.  Water is so different, it’s much more exact whereas CLOUDS had lots of improvisation.  Water is incredibly rhythmic, and often I think it’s very hypnotic as well – I’m really excited about its release in early October (it’s also available for pre-order now! Visit http://cloudsandharps.bigcartel.com/product/water )

The first few days of the ‘tour’ were pretty stressful.  Bec’s car broke down in Manchester but she somehow managed to get up to Scotland, Esther’s car smelled of smoke every time she drove anywhere and, well, Elfair doesn’t have a car yet.  So it was up to me to transport harps and harpists to and from the cathedral each lunchtime – luckily we have found a slick way to get two harps in one car!  

Monday was easily the most stressful concert, well the concert was OK, getting there was another matter.  It was the final day of the Edinburgh Fringe Festival, and what we hadn’t accounted for was that the street where we had special permission to park was CLOSED!  And the traffic was at a standstill.  But luckily a very nice traffic warden man told me where to find a little side street where I could park.  Lovely.

That was with harps 1 & 2, with harps 3 & 4 our friendly traffic officer had disappeared and had been replaced by a much less nice lady who didn’t seem to understand that IT IS 12.40 WE WERE DUE TO PLAY AT 12.15 AND WE ARE ALL VERY STRESSED WHERE DO WE GO?!?!?!?!

I argued with her a little bit, most unlike me but I was stressed out!

Meanwhile, harps 1 & 2 were wondering where the rest of us were and trying to patch together a concert of solos and duets – from what I hear they did an excellent job considering the stress of the moment.

Compared with Monday, the rest of the lunchtime concerts ran smoothly – we sold lots of CLOUDS cds and got some lovely audience feedback.

Each afternoon we would learn a couple of movements of water to play the following day in the concert.  

Friday was recording day.

can’t believe we tried to record an entire CD in one day!  After choosing a room in which construction work outside couldn’t be heard we started to record at around 2pm.  We finished at 2am.

Ana – who was doing the recording for us – was lovely.  She hadn’t had breakfast or lunch but didn’t tell us this fact until around 5.30 in the afternoon!  She must have been ravenous.  Sorry Ana.

At around 11.30pm Bec and I realised that the car park our cars were in closed at midnight – with any cars left getting towed away.  What a lovely opportunity for a late night run through the streets of Edinburgh to ensure our cars weren’t taken away and crushed.

But despite the stress of the day and the situation, I think the recording went really well and I’m so excited to hear the finished product.  There were lots of tears along the way but I’m so proud that we could learn the music and record it in five days – it was intense but great as well.

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Summer 2012

I have had a week off the harp!

Yes, it’s still in its covers after the long drive up from Somerset last Saturday.  I was there for the Amadeus Orchestra’s annual week of ‘Beer and Music’ – meaning daily rehearsals and nightly free beer.  It’s taken me a while to recover.

We were all staying at Perrott Hill School – a boarding and day school for children from 3 – 13 years old.  It has to be the most impressive setting for a school that I have seen – fully equipped with tennis courts, astro-turf football pitch, cricket pitch, outdoor swimming pool and extensive grounds.

I think we were all hoping for the sun to come out, and it did a little bit, unfortunately most of the sun was on the final day while we were all packing and being kicked out by eager cleaners.  But the overcast weather didn’t stop the occasional dip in the swimming pool – I think I managed about 30 minutes before fears of hypothermia forced me to get out.

The road to the school is about one and a half miles of single track road, with convenient overgrown hedges to obstruct vision.  I got used to it by the end of the week but I wouldn’t like the thought of driving down there on a school run… I felt lucky to get back to Manchester with both wing-mirrors intact.

Speaking of my car – what a saviour – on the way down we managed to fit me + passenger, harp, tuba, both our luggage for the week, bedding, and other miscellaneous stuff such as music, stands etc in the car.  It felt a bit like playing tetris, trying to get everything in with no gaps (and no view through the back window).

Although the space in my car is amazing, bear in mind that it is Summer, and the drive from Manchester to Somerset takes about four hours.  My car has no radio and no air-con, enough said.

We did two concerts, on in Exeter Cathedral, and the other in Wells Cathedral.  Good audiences for both, actually.  It was a great week, met some lovely people – lots of good memories to take away.  It was like the best bits of doing a youth orchestra course (being taken care of, meeting new friends and hanging out, being fed) combined with the fact that you are now a grown-up (drinking, the ability to drive to the shops if you need anything, and lots of freedom).

Now that I’ve been back for a week, and the poor harp hasn’t seen the light of day, I feel refreshed and ready to start some new repertoire and get some new ideas for the next few steps in my career.  Do I want to audition for postgrad in London?  Do I want to study abroad for a year or two?  My YouTube channel could do with a few more videos, that’s all to come in the near future as well.  I could even organise a recital for a worthy cause – a chance to do something for charity while also gaining experience and contacts for the future.

So there are lots of ideas in the pipeline, I’ve got lots of thinking to do!

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The PSP Association

I’d had this gig in my diary for a long time, labelled only as ‘PSP Gig’.  It wasn’t until the event was imminent that I actually found out what PSP stands for.  It stands for Progressive Supranuclear Palsy, which is a terminal, degenerative, motor-neurone brain disease – often mis-diagnosed as MS.  I was chatting with some families at the event and they were telling me that it affects around 10,000 people.  It leaves the mind completely intact yet gives the victim less and less control of their muscular movement.  Symptoms include  backward falls and problems with vision, eventually, patients may lose the ability to walk, talk, see or swallow.

It sounds absolutely heart breaking.  Yet its causes are unknown and there is no current treatment or cure for the condition.  I couldn’t believe I’d never heard of it.  Lots more information about PSP and the PSP Association can be found at www.pspeur.org or pspassociation.wordpress.com

The event I was providing music for was a fundraising evening held at Garrowby Hall.  Situated in the Yorkshire countryside, it has to be one of the most beautiful places I have seen.  Rolling hills, beautifully manicured lawns, horses, sheep, and a pig!  The house itself was exquisite as well.  We were asked not to take photographs but it felt like I’d walked into a Jane Austen novel.  I was playing in the drawing room, filled with comfy sofas, a writing desk, tasteful vases of flowers and beautiful antique chairs.

For the first half of the event, the sun was shining so everybody was outside mingling, leaving my only audience – a black labrador who  I believe goes by the name of Teddy – to enjoy the music alone.  The organiser came and told me I may as well mingle with the guests and eat some canapés – I was certainly not going to complain about that!  During the second half of the event, a lot of the guests came back into the drawing room and sat in silence while I played some Debussy and Bach for them to listen to.  It’s always surprising when you go expecting to play in the background and everyone listens attentively!  I felt like I was giving a mini-recital.

So, all in all, this was a most enjoyable gig, for a really good cause that deserves more publicity than it currently receives.

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RNLI Lifeboats

Last Sunday I was invited along to the Annual Presentation of Awards for the North Region and North Division of the RNLI at York Racecourse.

My Auntie Brenda had been invited because of the work she does raising money for this great cause, and her son, my cousin David, came as well as he volunteers as a crew member for his local lifeboat team.

I know my posts are usually about music, the harp, gigs etc. so I thought I’d write about something a bit different today.  The Awards Presentation happened either side of Afternoon Tea – involving scones, sandwiches and cakes!  Very English, exceedingly yummy!

We were shown a couple of films depicting dangerous rescues that have been undertaken – it’s so hard to believe that the vast majority of the amazing work these people do is voluntary!  They are literally saving lives.  Many people at Sunday’s event were receiving awards for their fundraising efforts over the years – my Auntie Brenda included.  It was really nice to be a part of the day – plus there were a few opportunities for the obligatory cardboard cut-out photographs…  We also noticed that, as people were receiving their award, the crown on the flag behind sits rather neatly on their head, and for that, I hope I am forgiven…

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Anyway, it was a lovely way to spend the afternoon and catch up with some family.  A big Well Done to my Auntie Brenda, thoroughly deserved Bronze Badge from a very worthy cause.

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Mahler 2

Last weekend I had a gig in Sheffield, with Sheffield Symphony Orchestra.  The only piece on the programme was Mahler’s Second Symphony.  Now there are two harp parts for this epic piece, however, it seems I was the only harpist that could be booked for this day.  Mahler’s writing for harp (that I have experienced) is lovely.  Sometimes it’s quite sparse, but you can hear 95% of the notes.  And that, for what is usually an instrument buried underneath more forceful instruments – looking at you, brass and percussion – is unusual.  But it left me in a little pickle.  Both harp parts are important, how on earth do I set about putting them both in?

Should have got double the fee in my opinion but apparently that’s not how it works.

Anyway, there were a couple of places that I had both parts on my stand and was piecing it together in what I hope was a convincing manner.

The Symphony is nick-named ‘The Resurrection’, the fourth movement includes a solo voice, and the fifth includes an entire chorus – I’ll include the English translation of the text, it really is as uplifting as the orchestration:

Rise again, yes, rise again,
Will you My dust,
After a brief rest!
Immortal life! Immortal life
Will He who called you, give you.
To bloom again were you sown!
The Lord of the harvest goes
And gathers in, like sheaves,
Us together, who died.
—Friedrich Klopstock
O believe, my heart, O believe:
Nothing to you is lost!
Yours is, yes yours, is what you desired
Yours, what you have loved
What you have fought for!
O believe,
You were not born for nothing!
Have not for nothing, lived, suffered!
What was created
Must perish,
What perished, rise again!
Cease from trembling!
Prepare yourself to live!
O Pain, You piercer of all things,
From you, I have been wrested!
O Death, You masterer of all things,
Now, are you conquered!
With wings which I have won for myself,
In love’s fierce striving,
I shall soar upwards
To the light which no eye has penetrated!
Its wing that I won is expanded,
and I fly up.
Die shall I in order to live.
Rise again, yes, rise again,
Will you, my heart, in an instant!
That for which you suffered,
To God will it lead you!
—Gustav Mahler
I must say a massive well done to Dane Lam – the conductor.  He did a marvelous job of this epic piece – I would imagine that conducting Mahler 2 is a big dream of any aspiring conductor.
While I am dishing out mentions, I must say a big thank you to Simon Passmore.  Not only did he keep me company in the car, he got out in the rain to reserve me the most ideal parking space, bought me lunch, dinner, and snacks (I think he’s trying to fatten me up) and just generally was a massive help on the day.  Thank you!
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