April 18th

Last week I spent five days aboard the Saga Sapphire in Southampton:

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While docked, it acted as a hotel, allowing passengers to experience what Saga have to offer.  I was booked to play for them, but I had no idea what would be expected when I got down there.

I gave a lift to the trombone player in the band – Matt – and we set off from Manchester at just after 5am on Wednesday.  We arrived pretty much bang on time but had to wait a while before boarding.  I got numerous comments of ‘don’t you wish you’d played the violin?’.  One day I swear, someone will say that and I will respond ‘wow, YES!  Why did I not think of that before, here, take my harp, I’m leaving to find a better life!’

Basically, I had no idea what was going on, how long I would be playing each day, where I’d be staying (i.e. in a ‘crew’ room or a ‘guest’ room) or where I’d be eating.  Once on board I was told the lifts weren’t working and I was to take my harp to the 8th deck (are you KIDDING?!) they sent me down to 4th deck to find my cabin, only there was a man in there watching telly, so I trundled back up to reception and asked for another room.  They gave me this lovely room on 8th deck:

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Not sure why I got a twin room but at least my bags had somewhere to sleep.  The weird thing about it was, as it was an inside room (no windows) you can turn off the lights at any point during the day and it feels like night time!  Ideal napping territory.

I was told that I was to eat in the restaurant, with the guests, and oh my, the food was divine.  Wine was included with dinner (dangerous):

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The steak was also to die for, I had chocolate cake, lots of chocolate cake every day and it was amazing.  And yes, I may have gained a little weight while I was there but I was having such a lovely time it didn’t matter!

So my job on the ship was to play background music while the guests were having afternoon tea.  Every day we had different guests and every day they were really receptive and I got lots of applause (rare for background music) and I was also thanked by the Cruise Director several times, which was lovely.  So I would play for an hour, have some coffee and pastries, then play for another hour, have some cakes, then play for the last 45 minutes or so.  Dream job?  Yes.  Here’s my harp on stage:

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In the evenings, from around 6.30, there was a cocktail party in the lounge where champagne was on tap – uh oh – and the guests were welcomed by the Captain and the Cruise Director.  Dinner was after that (did I mention the amazing steak?)  Then at 9.30pm Steve Terry would sing his Cabaret set, Bobby Darin, Michael Buble, things like that, I loved it!  At around 10.30pm the dance troupe would start their Mo-town show, all singing, all dancing – I saw this maybe twice or three times while I was there and really enjoyed it, then at 11pm the UpBeat Beatles started playing and everyone danced.  They finished around midnight, when I would go up and listen to the cocktail pianist/piano entertainer Martin Orbidans play until around 1.30am.  Any song you can think of, he knows – he even managed to get me behind the microphone singing Can’t Help Lovin’ Dat Man – I was having a great time and no one walked out, amazing!  On the last night I managed to get a photo with Steve and Martin so here we are:

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So the evenings were pretty full, in the mornings I was either sleeping, or having a swim in the spa on the second deck, which I pretty much had to myself…

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So yea, had a lovely few days and didn’t want to return to normal life really – I wanted to stay on the Sapphire and sail to the Med!  Never mind, I would jump at the chance to do some more work for them.  It’s also got me thinking how much I’d love to travel and play – I’m discussing the possibility of going out to somewhere in the Middle East/Asia to play in a luxury hotel for 3-6 months.  I mean, it sounds too good to be true, all food/accommodation/flights/visas paid, I would get to stay in a swanky hotel and play every day – and I would earn good money doing it – more than I make now, working every day either in the shop or teaching or gigs.  I’m seriously thinking about it.  I turned it down last year, don’t think I’m going to be turning it down this time.  Watch this space!

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Decisions

This has been a week of choices.  Isn’t it weird how they all seem to come at once?

After a mad couple of shifts in the bar at the RNCM for freshers week, I decided that, if I really don’t enjoy working there that much, I should just quit.  I need to be earning money doing things that take me in the direction of my dream.  It isn’t my dream to work in a bar forever, so I decided it was time to take the plunge and lose the safety net of having that bit of extra cash each month – in favour of pushing myself to do more for my music career.

So that’s it!  I never have to pull a pint again.  I’ve worked in one bar or another for my whole student life, and now I feel like the time has come to move on.

And doesn’t the universe work in mysterious ways, on the morning following my final shift, I got a phone call from the Chethams School of Music asking if I’d be interested in doing some harp teaching there.

Of course I was!  I taught my first lesson there last Friday and loved it, hopefully it will lead to working there regularly.

The day after the phone call day, I got an email from a hotel asking if I’d like to stay with them and provide background music for a few months… in DUBAI!  Sounds too good to be true and the money is exceedingly tempting (enough to invest in a lever harp and take lots of the financial pressure away).  But it would mean being away over Christmas and New Year, and I’d miss a certain trip to Lanzarote in December as well as various gigs and family commitments.  So basically, I’ve said I’m very interested but maybe another time.

I had to think about it so carefully, but I need to be here, in Manchester right now.  I need to be gigging and building up my contacts and getting better gigs.  My dream is to be an orchestral musician, and while the money from providing background music is fabulous, I’m not sure I would want to do it all the time.  What I love about my career so far is the variety.  Every day is different and brings its own challenges.  Not going to Dubai was a really tough decision but hopefully I will look back and be glad I stayed.

Maybe I could have gone to Dubai and could have stayed working at Brodsky.  Had I done so my bank balance would definitely thank me.  But at the end of the day, maybe I’m choosing the less profitable choice right now, but maybe it will pay dividends in the future?  I have noticed that each day since turning down Dubai I’ve been contacted about doing a gig in the next few months.  It’s going to be ok.

Maybe there is no right or wrong decision.  But I’ve made mine and now my job is to make the best of my situation and keep moving towards where I want to be in the future.

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Easter Holidays and too much time off.

I was playing at a wedding today down in Staffordshire, about an hour’s drive from my house so not too bad.  The whole day went very smoothly and I got paid (yay!)

But instead of blogging about another background gig – I’m going to talk about the holidays in general.  I got a bit emotional yesterday, tears may have been involved, and I couldn’t put my finger on what was upsetting me.

I eventually came to the conclusion that it must be a number of things:

  • having lost my phone and shelled out for a new one, all the financial progress I’ve made recently has been pretty much cancelled out.
  • my  harp has a buzz 🙁 nothing serious  but it needs sorting – I’m currently waiting for a technician to get back to me on that.  Harps are so complex and have so many moving parts that occasionally these parts can vibrate against each other to make a buzzing sound when a particular note is played.  It’s not serious and it’s easily fixable but extremely annoying!
  • All my current gigs seem to be background music – yes it’s easy money but it leaves me rather unfulfilled.  My place is in an orchestra.  I’ve known this for some time now but it’s definitely time to start really pushing for this and sending emails and hopefully getting some auditions.
  • I’m scared that if all I ever do are background gigs, I’ll lose all the progress I made in my four years at the Royal Northern College of Music.  I didn’t study for all that time just to play cringe-worthy arrangements of cheesy music for people who don’t listen or care.
  • I haven’t had a harp lesson in nine months and I can definitely tell, I’m going to focus now on learning some new repertoire for an upcoming recital and resuscitating some old favourites so I feel like I can still actually play the harp with a good level of skill.

Maybe it’s just the holidays, and current lack of work, but things definitely need a push right now.  I’ve hit some sort of plateau that I haven’t experienced before.

So yes, sorry this post is decidedly less cheery than others, but this blog is about the whole picture of being a freelancer.  Hopefully over time I’ll see that the good times far outnumber the hard.

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End of February…

Phantom finished last Saturday.  It was a really fun week and all the performances were completely sold out – and most got a standing ovation at the end!  I was particularly impressed with the lad playing Phantom, must only have been 16 or 17 but he improved so much as the week went on…

I feel like the most important part of the whole week was the post show trip to the pub down the road.  A lot of the players in the band asked for my number and mentioned that they knew someone who needs a harp for something or other.  So I made lots of new contacts, which is great!  All the internet-networking I do pales into insignificance compared with the work I get through word of mouth recommendations.

Phantom of the Opera is in fact coming to Manchester next month… I wonder who is sorting out the band for that… I’m pretty Phantomed out but I’d definitely get over that for a chance to play for a professional show!

Yesterday I was in Liverpool at the Liner Hotel for an audition for an agency that sends musicians on cruise ships, and to luxury hotels and corporate events etc.  As I do lots of background music anyway I thought I’d give it a go and see what comes of it.  Most of the acts auditioning were singers, songwriters, magicians or comedians.  I was the only harpist, and I have been invited to take part in the agency’s ‘Showcase’ in October – which is a brilliant chance to play for the people who book musicians for cruises, corporate work etc.  Personally I’m keeping my fingers crossed that there’s a luxury hotel in the Maldives that needs a harpist all Summer, that’s the dream anyway.

When I think about the place I was in a month ago, the difference between then and now is like night and day.  In January, I went home to my parents and cried my eyes out – I was worried about work, money, where to live, if music was really what would make me happy.  I had applied for a full-time job in arts administration and had two bar jobs.  I had hardly any gigs in the diary and had no idea what I was going to do and if I’d be able to succeed.  My parents have always had faith in me and are totally behind me, ready to fight my corner, they just told me to have faith and trust that things will pick up – no matter if it’s hard right now it will get better.

Now, my diary is filling up very nicely and there’s always something I’m working towards, something going in the diary.  I am so happy that I’m doing what I love, and so happy that my life cannot be pigeon-holed into an everyday 9-5.  I can sleep in when I want to, going to the pub can be justified as networking (brilliant!), I am my own boss and in charge of my own finances, I can never get fired!  I hardly ever have to battle through rush hour traffic or be up before 8am, plus I decide how much to pay myself.  I feel so free!  I have a career that is interesting to talk about and I have no idea where it might lead, or what I might be doing in a year, two, five, ten years time.  Sure, money is still tight, but I am getting by and I truly believe that if I keep doing what I love, the money will come.

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