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Balance

27 May 2014 No Comments

About seventeen years ago I had my first harp lesson (writing that made me feel insanely old).

The first thing you learn when playing the harp is to find the balance point. The harp is a heavy instrument, mine weighs in at around 36 kilos. However, they are designed so that, when tipped back into a playing position, they are almost weightless. All you need is to gently rest it on your knees and you don’t feel the weight at all. Once you find the balance point, everything becomes much easier.

I’ve been thinking recently about balance. This blog is about the experiences of a freelancer and a lot of that is about balance – balancing the different aspects of a career, or just a day, can be challenging.

In addition to this, I’ve started practicing yoga. The idea for this post came to me while I was in the tree. The tree pose, that is… I haven’t taken to climbing the trees of Central Manchester yet – although I’d hate to rule it out. Anyway, my fancy yoga ipad app told me that it helps your balance if you focus on an unmoving object. It’s certainly a helpful tip, but I wondered if it applies to more than yoga.

Maybe this rule could apply to our careers as well? If we have a specific focus in mind – a goal or a target – maybe we are more balanced in our approach? Conversely, what if we don’t really know where or what we are aiming for? Will we lose focus and fall out of balance?

What about balancing the different areas of our lives? Career, Family, a Relationship, Friends, Money, how do we know the best way to balance it all?

Something else I’ve learned from practising yoga is to not compare myself with others. Personally, I can’t touch my toes, yep, it’s embarrassing, but that’s what you get when you’re six foot tall and did all your growing in the space of about a year. It would take me weeks, possibly months of daily stretching to be able to touch my toes.

Some people don’t even think twice about it. But if I just gave up due to my blatant inadequacy, I wouldn’t get anywhere. I choose to practice and trust that I will improve gradually.

The same goes with music, by the way. I’m sure many of us are guilty of feeling like we’ll never be able to play like *insert amazing musician’s name here*, and feeling like there’s no point even trying. Maybe that person you aspire to emulate is thinking the exact same thing about someone else. Torturing yourself because you’re not there yet is counter-productive, you are on your own journey and need to stay focussed on your own targets, to stay balanced.

Lots of questions in this post I know – let’s call it thinking out loud. I need to figure out my own targets and focus on those, I need to find my own balance point.

Career, Music

What to expect when you leave music college.

12 April 2014 No Comments

It’s getting to that time of the academic year when music students are preparing for end of year recitals. For some of those students it will mean the end of formal education and the beginning of life in the big wide world.

During my last year at college I was mainly wondering how on earth I was going to make ends meet without my trusty student loan to get me through. Where was I going to find all this work I would need in order to pay the bills – council tax, what’s that??

I think it is natural to wonder what life will be like ‘on the outside’. With music, everyone’s experience will be different, I’m writing from the point of view of a harpist so my career will be different to other instrumentalists.

The first thing to expect when leaving music college is that there will be scary times. Times when money is way tighter than is comfortable, times when you look in the diary and realise there are no gigs three months from now. There are ways to overcome this fear: working hard and having faith. I’m not going to get all religious on you here, by faith I mean confidence in the fact that the work is out there somewhere – you just have to get out there and find it (that’s where the hard work comes in).

The second thing to expect after graduating – you will at some point be asked to play for free. This is a highly contentious issue and we all have to make the decision for ourselves. Personally, I don’t play for free for anyone except family. I don’t want people in the music world to know me as someone who will work for nothing. The most important reason I don’t play for free is: I can’t afford it.

Thirdly, you need to stay on top of emails/phone calls/voicemails.

The admin side is so important if you’re going to be successful as a freelancer. I’ve lost gigs because I forgot to answer a text or an email went into my junk mail instead of my inbox. Those are lost gigs. That is money down the drain. That is someone who won’t recommend you to their friends and who definitely won’t book you again. Make a ‘Needs Action’ folder for emails that need action and work your way through it meticulously.

Speaking of being meticulous – you need to watch your income and expenditure carefully.

Being a freelancer means you can earn vastly different amounts each month so it’s vital to know if you need to watch your spending during a rough patch. Try to squirrel away money when you can – for emergencies. A perk of keeping note of income and expenses is it takes no time at all to complete your tax return (go to an accountant) – I’ve already done mine for 13-14 and it took 15 minutes – Boom!

When I left college I found that I really missed my weekly lesson with my teacher.

I missed the little weekly targets and challenges. Once you graduate it’s easy to get into the rhythm of just practicing for the gigs you have coming up. One way to overcome this is to make sure you stay inspired – go to festivals, have lessons if you want to, go to lots of concerts, listen to solo repertoire and challenge yourself to keep adding to your own rep.

You may be about to leave formal education, but in those first few years out of college you will learn so much it’s unbelievable. I graduated three years ago and I still feel like I learn something new every day. I learn about what works and what doesn’t work in terms of organising myself and my working hours. I learn about how to work with different people and different personalities. I learn how to stand up for myself and say ‘no’ to gigs that don’t pay a reasonable fee, in good faith that I will find something better. My dad always says ‘you don’t learn to drive until after you’ve passed your test’. I think the same is true for freelancing. You have to make the jump and trust that you are capable of supporting yourself, you’ll learn the particulars along the way.

This way of life is so inspiring, you really are the master of your own destiny. Thing is, no one is going to gift-wrap a career and hand it to you on a plate, you have to get out there and find it for yourself. It’s daunting, but exciting.

A closing thought; remember that quote from American Beauty?

In order to be successful, one must project an image of success.

When it comes to social media, it’s all about projecting the image you want people to see. I’m talking about band/musician pages here – not our personal pages. Make your twitter page interesting, talk to people, build relationships with others in the same boat as you. Get really good photos taken and use them.

I’m not just talking about our online presence though. I mean in real life too. Do you show up to rehearsals late/scruffily turned out/hungover? Is that making the best impression? It sounds awful but sometimes it’s not just about the music. If you are rude to a fixer or you don’t get back to them, they won’t call you again and you’ll be off the list. If you get back to them promptly and are friendly and helpful on the phone – even if you are unable to do the gig they will probably call again. You need to be showing the best of yourself as much as you humanly can. Look your best, stay healthy, be friendly and polite and doors will open for you.

So there you have it, thoughts on leaving music college. Music graduates – do you have anything to add? Leave a comment below.

Finally I want to wish all the RNCM Harpists the best of luck with your upcoming recitals! I can’t wait to come and hear you (and celebrate with you afterwards).

Career, Music

CLOUDS summer plans

6 April 2014 No Comments

There are so many posts in the pipeline at the moment, it’s crazy. But I said the CLOUDS post would be next so, here it is.

On Tuesday, 22nd April my harp quartet CLOUDS are performing as part of the Wales International Harp Festival. Unfortunately Bec is away playing on the Cunard ships so on this occasion it’s just Esther, Elfair and myself.

Esther received a commission to compose a piece for this concert, the theme given was mythology. The Scottish murder ballad The Twa Sisters was chosen as our specific subject matter. It is a rather gruesome tale in which sibling jealously turns to murder over the attentions of a knight. The younger sister is pushed into the river and drowns, at which point a harper finds her body and makes it into a harp, using her bones and hair (told you it was gruesome). The harp then begins to play itself and tells the tale of her elder sister’s crimes.

As is Esther’s usual style, none of the music is written down. So Elfair and I have learnt it of course, but if there are any parts we forget… it’s kind of hard to get hold of Esther right now as she’s in Brazil with her folk duo Twelfth Day. Hope you’re having fun my loves!!!

This is one of the most fascinating things about CLOUDS in my opinion ~ we all do such different things on a day to day basis that we have all these different experiences to bring to the music when we meet up to rehearse, compose or perform.

Later on in June this year the four of us will be spending a couple of weeks in Edinburgh. We are shooting a new video, recording a new CD and playing in St. Giles Cathedral.

After that we are heading down to Buxton to take part in the Buxton Fringe Festival. We have four concerts, more details can be found here.

So lots of exciting things in the pipeline for CLOUDS this year – I can’t wait to spend a whole month with the girls!! Despite all these plans however, the cost of shooting a new video, having new photos taken and recording a new CD – not to mention all the travelling we’ll be doing with our harps – is proving difficult to afford. We’re applying for funding from various organisations and we have also created a GoFundMe page, click here.

So, if you would like to make a donation (or know a friend who might), please do visit the page and make a donation. All donors will be thanked in the credits of our new video.

In the meantime, thanks for reading, and I look forward to bringing you more CLOUDS updates very soon!

Career, Music

Getting up to date…

7 March 2014 2 Comments

As the title would suggest, this post will hopefully bring my blog up to date with the various gigs I’ve been doing since Valentine’s Day.

Almost immediately after V-day, I drove up to Edinburgh with fellow CLOUDS member Elfair Dyer to rehearse for a few days with Esther Swift (for more information about CLOUDS click here).

We are currently learning a new trio piece for the International Harp Festival in Caernarfon, North Wales, in April. The piece is a new commission given to Esther especially for the festival. As usual, none of it is written down so we have to actually see each other to learn the music.

I am so excited about the new piece! The theme is mythology so there is a spooky story to go alongside the piece. We get to use loop pedals! The whole piece is quite dark in nature so it’s a world away from what is normally expected of a harp trio (clue: we won’t be wearing ball gowns). The sound is much edgier and more challenging.

I’m happy to say we can now play through the whole thing! We have more rehearsals coming up soon to polish everything off (and to make sure we actually know what we are doing). So fingers crossed the performance will be a success!

A few days after getting back from Scotland I had a very last minute gig. Background music for a Wake. This type of gig isn’t easy (it’s easier than a funeral service though), but the list of songs they requested were very fitting and, actually, I’m going to keep using that playlist for other background gigs too.

The very same evening I gave a talk at the Women’s Institute in Mellor, just to the south of Manchester. It’s slightly in the middle of nowhere, hurray for unlit, snakey roads with only enough room for one car.

I was a little nervous about this talk… I didn’t know if I could fill the allotted time but luckily, with playing, I was fine, plus the ladies asked lots of questions and genuinely seemed interested in the harp and the different types of work that constitute the life of a freelance musician.

The next gig I had was the following weekend, playing for a wedding reception in Sheffield. My Sheffield gigs are notorious for being stressful, I always get lost, but this one was ok. Not perfect but I found somewhere to park eventually.

The reception was in one of the University buildings.

There was a lot of champagne flowing:

And, check out the interesting table plan…

Anyway, this seemed to be a wedding of people who win at life. Everyone was beautiful and gracious (getting louder towards the end… I blame the champagne) but generally a very classy affair.

Last Thursday lunchtime I went to watch the RNCM Harp Ensemble’s lunchtime concert at the Manchester School of Art – a lovely space for a concert like this…

The photo doesn’t do it justice, trust me it looked lovely. I’ve been out of college for nearly three full years now (can’t believe it) and it’s still a little strange to see a harp ensemble concert that I’m not involved in. I mean it was refreshing in a way – the harp department had been setting up since before 9am! I remember back to my time in college and just loving the feeling of being part of such an amazing team.

Finally, we come to the gig I supposedly had last Friday, now I can’t say too much about this as I’m currently obtaining legal advice from the Musicians Union. But just to warn you, when it’s all sorted out there will be much ranting!

So that brings us just about up to date. I hope you all are enjoying the spring-like weather as much as I am! If you have any feedback please do leave me a comment.

Career

Harps of a feather, pluck together.

24 February 2014 1 Comment

Well it’s been a while since I’ve been able to post. I’ve been busy gallivanting around Great Britain on (mostly) harp related bits and bobs. There is a lot to report since my last update.

This post is becoming mammoth so I’m going to have to split it up into smaller sections…

Firstly, I got my photos back from my solo shoot with Julie Harris. I will be getting more from this shoot soon but I wanted to share the first two with you:

What other news is there… oh yes! My last blog post ‘How to make your grass greener’ has been featured on The Media Directory – don’t believe me? Check it out at http://www.themediadirectory.com/news?shownews=399

In terms of playing, a lot has been going on as well. A few Saturdays ago I had the pleasure of visiting my home city of York to play Sibelius’ First Symphony with York Guildhall Orchestra under Simon Wright. For once, there were two harps in the orchestra! Principle Harp was played by Georgina Wells – I’ve known Georgie since she tutored at a youth orchestra I used to attend so it is a real treat to play in orchestra with her. We had a great time:

The experience of playing in an orchestra is so different when you are not alone in your section. I am so used to being the only harpist that playing second harp actually brought a few challenges that I don’t usually experience. As well as watching the conductor, the music and, if I’m lucky, my hands – I also need to watch Georgina for important entries to make sure we play exactly together. I do not have enough eyes for this task!

Having said that, beefing up the harp section is so much fun – on my own, pretty much everything has to be at least mezzo forte to come across to an audience. With two harps, you can bring the music to life so much more. Even in piano passages, you can be confident that the harps will be heard. It’s great!

But away from the concert platform, having someone else in the section brings a social aspect to the day too. We chat about how we want to play certain sections, which chords to spread and which to leave straight, we help each other unpack and move harps. It becomes a team game. Harpists are often only in one or two pieces in a concert, so this means a large proportion of the day is spent alone. Now, I’m not about to start complaining about that, I happen to like my own company, thank you very much. But it makes a wonderful change to be part of a section – maybe go for a meal together in the break and share stories of bizarre gigs we’ve done, things we’d like to do etc.

So all in all, this was a lovely day, I’m playing in York again in early April and I’m looking forward to it already – or I will be, once I’ve learnt the notes.

Valentine’s Day. What’s the big deal? Restaurants are packed and more expensive than usual, everyone seems to feel this pressure to do something. I’m secretly glad I usually have a gig on this day. My boyfriend and I went for dinner the previous Tuesday to celebrate an anniversary. He proved the theory that the most exciting gifts come in little packages…

But anyway, I’m going off-topic. For Valentine’s Day I was booked to provide background music at The Florentine restaurant in Sheffield. I did not enjoy the drive there. I opted for Woodhead Pass as it’s a little less snakey than Snake Pass. However, once I got to Sheffield, my satnav took me up Hagg Hill. A word of advice – avoid this hill! I attempted it in second gear and immediately stalled. In the dark. A car behind me also turned onto the hill and followed me as I crawled up to the top, where I had to turn right.

The restaurant seemed really lovely. I was given a divine meal of beef with parsley risotto and goats cheese bonbons, and the staff were very friendly and helpful with the harp. I played for a couple of hours then drove back to Manchester. It is so interesting watching couples having dinner on Valentine’s Day. I saw at least one couple arguing. One woman was despairing because her man was so drunk. One couple brought two young loud toddlers to the restaurant (why??) and many couples were turned away because they hadn’t booked a table (rookie mistake on Valentine’s Day).

Personally I prefer to stay away from the expensive meals out on February 14th and cook something really nice with someone special, maybe get a nice bottle of wine, and just spend some time together… Cash definitely does not need to be splashed in order to incite romance.

But that’s just my opinion.

Well that’s it for this post but more will be coming soon! I’m not even close to being up to date with gig reports… As always, watch this space.

Career, Music

ready for my close-up…

16 January 2014 2 Comments

After having driven back from London last Wednesday night, I hoped in vain for some sort of lie-in on Thursday morning. This was not meant to be, however, as I was booked in for a Skype meeting at 8am with my lovely fellow members of CLOUDS Harp Quartet. I can’t complain too much though, how many of us can boast the fact that we can have an early morning meeting from bed, complete with dressing gown, coffee and Alpen?

We have a lot to talk about. But first thing’s first. We had this weekend to sort out. My role in CLOUDS is something of ‘tour manager’ when we are together, so that means I get to do the schedule! I love schedules! Sadly I’m not being sarcastic, I actually do. So we needed to talk about who is staying where, whose harp is staying where, and when we are going to rehearse, eat etc. – organising the logistics of four harps can be challenging!

First thing Sunday morning we went for a photoshoot with the lovely Julie Harris.. We needed some publicity photos for an upcoming concert in April in Caernarfon as part of the International Harp Festival (yes we are super excited). We thought we could get it done in an hour. We were slightly deluded. Three hours later we left the building. Julie taught us how to stand and look good in a photo. It felt quite awkward at times, but then you look at the photo and somehow you’ve become thinner, but with curves in all the right places… I think Julie might be some sort of wizard. In fact I went back to see her on Wednesday morning for some solo shots.

After CLOUDS’ photoshoot we immediately went for a meal as Esther was about to keel over. We went for a spot of Thai food at Manchester restaurant Umami, then went back to my place to rehearse. But how do you rehearse when you’re so full you just want to sleep? We couldn’t stay lazy for long though, we have new music to learn! Esther has written a four movement piece for Caernarfon and, as is the CLOUDS way, none of it is written down. Esther teaches it to us by demonstration and explanation and we try to cram it all into our brains. But it’s fine, we’ve been learning music together this way since 2008, and we love the freedom it gives us.

Monday morning we rehearsed again, 9-12. We were reminding ourselves how lucky we are that this is our Monday morning, no hideous traffic, no getting up at the crack of dawn, just learning some great music and playing together over coffee and good company.

We had a meeting Monday evening with our fantastic teacher Eira Lynn Jones. A couple of hours later we left, stuffed full of home-made macaroons (thanks Bec!) and bursting with new ideas for future projects… I can’t wait to share some of them when the time comes!

So that’s about all my news for this week, it’s been another busy one! Maybe things will calm down soon… not that I would want them to of course!

Career

Erm, where’s my time off?

10 January 2014 2 Comments

I hope everyone is settling in to the New Year nicely, who is keeping their resolutions?

So I just looked back to my ‘Week 2’ post of last year. It makes rather depressing reading. I was struggling financially and needed a part time job to tide me over. I felt out of control regarding my earnings and hated living month to month, not knowing if I’d be able to pay rent next month.

Well, a lot can change in a year.

I had so much work in November and December of 2013 it was absolutely fantastic, as well as a bit frantic. I admit I was looking forward to the quiet of January. I knew I’d made enough money to feed myself even if I got no work this month – which happily isn’t the case. I also feel a lot more in control of my finances since using the iPhone app ‘Back in Black’, which I talk about in the post Will We Always Feel Skint?

So rather than wallowing in the lack of work and freaking out about the future, I’m taking a different approach this year. I’m being generally a bit more on it, getting stuff done regarding admin, practice and other life-stuff that needs doing. I’m also using this time to take stock, to think about possible projects for the upcoming year and setting myself some targets. More info coming on those projects as and when… but I’m pretty excited already! So basically, when I thought January would be something of a holiday, I was wrong, it’s a holiday from three gigs a week but there’s still so much to do!

This last week I’ve been playing down in London, but annoyingly I’m not allowed to say what I was doing! This will definitely be the subject of a post around April time so keep your eyes peeled. This photo was shared on Facebook so I guess I’m allowed to share it here, check out the beautiful paper birds:

But that’s literally all I can say at this point, so watch this space!

In other news, my harp quartet have been brainstorming ideas for this year too. 2014 is going to be an exciting year. If you haven’t seen our website yet you can visit it here.

Lifestyle, Music

Happy New Year!

2 January 2014 6 Comments

I’d like to start by wishing all those who visit this page and read my blog a very happy and healthy new year.

I brought the new year in by playing with the British Concert Philharmonic Orchestra in a New Year’s Eve Gala in Buxton Opera House. The gigs I do with this orchestra tend to involve getting the music on the day and spending the rehearsal sightreading, then practising like mad in the breaks and hoping for the best in the gig. NYE was no different. The first half felt like back-to-back harp solos. O Mio Babbino Caro, The Pearl Fishers Duet, Meditation from Thais, it was never ending! These are pieces that I learnt the part for years ago – while at school – for ‘the future’. Well, I’m glad I did but even so the rehearsal was rather stressful. I spent the time between the rehearsal and the concert drinking coffee and note-bashing.

Weirdly enough, the gig itself went really well. Must have been that sneaky practice I did before. Part of me loves these gigs where you turn up and sightread, it means you can’t get stressed before the day because you don’t know the programme yet. On the other hand, I can’t hang a sign on my harp that says ‘I’m sightreading!’ just so the audience (and the players) will forgive my mistakes. Having the chance to fully prepare is obviously preferable.

The concert finished at around 12.30am at which point it was time to drive back to Manchester for a few chilled out New Year drinks (lemonade only as I was driving).

I’ve made a few New Year’s Resolutions, firstly, be less messy, secondly, carry on running three times a week (which I successfully achieved in December – woo!), thirdly, wear dresses more often, and finally, stick to working hours during the day (see my previous post on keeping schedules).

In fact, on the subject of running, here’s a photo from my run on the moor near my parents’ house. It was a gorgeously crisp morning, a little icy, but beautiful none the less:

Music

CLOUDS Christmas Concerts

16 December 2013 4 Comments

The last seven days have been devoted to my harp quartet CLOUDS. Tuesday, Wednesday and Thursday we rehearsed in my living room (having four harps in one room is far from normal). We were rehearsing for four concerts that made up our mini Christmas Tour.

The music we play is written by fellow CLOUD Esther Swift. It’s got a lot of folk influence. Think folk mixed with Steve Reich mixed with a tiny sprinkling of dub. None of the music is written down, this means Esther teaches it to us by demonstrating and explaining. It also means we have to remember it from one tour to the next, the amazing thing is we manage it.

It all started when we were at music college together, the four of us (myself, Elfair Dyer, Rebecca Mills and Esther Swift) were put in orchestra together to play Symphonie Fantastique by Berlioz. We had so much fun rehearsing together that when Esther mentioned that she’d written a piece for four harps we jumped at the chance to play more music together and it’s grown from there. I don’t think any of us (apart from Esther) had much experience with playing folk, learning by ear or improvising so for all of us it is a real learning experience and, personally, it has opened my eyes to new ways of learning music.

Bearing all of this in mind, it was fitting that the first concert of our tour was in the RNCM. The Studio Theatre to be exact:

The current members of the harp department came along to support, which was lovely! There was an interesting moment when an astrophysicist came up to us at the end to correct our definition of an Interstellar Cloud. But how amazing that he saw that one of our pieces was called Interstellar Cloud and that made him come along to hear us!

This gig went pretty smoothly, ignoring the fact that a certain CLOUD managed to leave her shoes at my flat and had to run back and get them five minutes before we were due to be onstage. Not looking at anyone in particular (Esther).

The following day Elfair, Esther and myself headed to Long Marston in North Yorkshire for our second gig. We spent the day making sure we could play our programme with just three of us and playing through extra duets that expanded the programme from the previous evening.

Long Marston is a really special church for me, my parents were married there, my dad still plays the organ there and I was also Christened there. Having said that, it is one of the coldest and most spidery churches I’ve ever been in. We were ready for mulled wine and mince pies in the interval!

On Saturday we were playing for a sell-out concert in All Saints Church in Brandsby. Rebecca joined us for the rehearsal beforehand but it soon became clear that she was too unwell to perform (if you’re reading this Bec, get well soon and I’m sending you lots of cuddles!) so we made a last minute decision to play our Long Marston trio programme again as we’d already prepared it. Coming from a city like Manchester, Brandsby feels so rural, no street lights meant we were wheeling our harps in complete darkness – interesting. Plus we had to get four harps home in three cars.

Saturday was a little bit stressful.

On Sunday, we were booked to play for York’s Annual Community Carol Concert. I’ve been going to this event practically every year of my life. My dad, John Warburton, is the Musical Director of the event. The three of us arrived really early to set up, tune, sort out microphones etc. We found our dressing room, had some lunch and got ready for the concert. Everyone had remembered their shoes, we were unstoppable.

The afternoon itself was lots of fun, community carols sung by an audience of over 1,400, two school choirs, the beautiful Rebecca Newman, a brass band and of course CLOUDS all contributed to a lovely afternoon of Christmassy joy.

And then it was time to say goodbye, Elfair, Esther and Rebecca, you are all legends and I love you. Can’t wait til the next tour!

For more information about CLOUDS visit www.cloudsharpquartet.com where there is a link to buy our CDs!

Career, Music

December …

7 December 2013 2 Comments

Well, Thursday of this week came and went and I couldn’t find the time to post. Naughty.

I am writing this from a rehearsal in Holy Trinity Church in Southport, with the Southport Bach Choir – I should say that I’m not rehearsing right now – that would be rude.

Everything I’m involved in has been rehearsed so now my job is to amuse myself until the second half of tonight’s concert – I’ve been told there’s a Wetherspoons nearby so I’ll be fine.

But enough about today, let me take you through the adventures of the past week-and-a-bit.

A week last Friday I was doing some background music in Ormskirk at the Chapel Gallery as part of their Christmas celebrations. The staff had all come in fancy dress (including elves, witches and two ugly sisters). This was an exciting background gig for me as it was the first time I used my iPad instead of sheet music. A while ago a spent an afternoon scanning all my background music into the computer so I could put it on an app called ForScore. This handy app allows me to crop the music to get rid of white space around the edges, I can also make setlists (currently I have two; ‘background’ and ‘background – no Christmas’).

I received some lovely feedback from this gig and I think it was partly due to the fact that my presentation was neater than usual – no piles of music, no flicking through books trying to decide what to play next – it was all very slick.

I’m still waiting for payment from this gig – quite tempted to name and shame the person who booked me for this as they are also a musician! If payment is going to take two weeks or even a month – fine – I’ll manage. But don’t tell me I’ll have it in five days when that isn’t going to happen, I just want an honest date on which I’ll be paid. Grumble grumble.

Saturday’s gig was at Leeds College of Music with the National Festival Orchestra. I had a great day. The programme was fabulously harpy, as you can see I had pride of place – centre stage:

We were doing Britten’s Ceremony of Carols, Franck’s Panis Angelicus, Faure’s Cantique de Jean Racine and Saint-Saens Christmas Oratorio (plus some Rutter that I wasn’t involved in). The Saint-Saens was quite a challenge but I thoroughly enjoyed it, I got some wonderful feedback about the Britten too. I just wish they had attracted a bigger audience because they deserved to have the place sold out.

…continued from the previously mentioned Wetherspoons…

I have left the cold of the church for the local pub. In a bit I will face the tricky situation of leaving my table to order food and hoping no one will claim said table before I sit back down.

Last Sunday, Monday and Tuesday I was playing for a concert version of Phantom of the Opera at Cowley International College in St. Helen’s.

Sunday rehearsal then Monday and Tuesday performances. It was the same group who did Les Mis this summer and Phantom early 2012 (right about the time I started this blog). I do like going back, the conductor – Shaun – and Danny the director are both absolutely lovely and we always have a good time. Again they deserved much bigger audiences simply due to the passion and enthusiasm that the staff and performers bring to the show. There was an unfortunate incident on Tuesday that involved the smoke machine causing the fire alarm to go off but apart from that the shows went smoothly. The appalling traffic on Tuesday caused me to be late – very unlike me, but I only held up the show by ten minutes…

So that brings us to Wednesday, when I was booked to play more background music at the Lowry Hotel, Manchester.

Another outing playing from the iPad. Another gig where I was told I would be paid ‘by 10am tomorrow’ and am still waiting – four days later – for my money. The organisers brought in some arcade ski-simulator games, there was quite a surreal moment when I realised that we are all, in fact, still children at heart. I was playing Disney on the harp while grown men in suits played arcade games.

So a very busy week, but on Thursday I was taken to Cloud23 in the Hilton for cocktails. We got very dressed up and drank our drinks while enjoying the night time view of Manchester. Here’s the obligatory photo of me with my exciting cocktail that included chocolate covered raspberries.

So that’s it for this week, thanks for reading, and hopefully I will have been paid for some of these gigs by the next time I post!

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